What follows are some notes and general advice Ive collected over the last few months on how to setup good patches in a POD HD500X.Setup four patches, each configured with the same effects, but using different amp and cabinet models for the specific purpose.The patches are all in the same bank, and progress from clean and mellow to distorted and aggressive.Use the Looper in the Pre position and record a dry guitar loop so you can tweet hands free.
![]() Pod Hd500 Preset Patches How To Setup GoodCheck periodically at higher volumes and with a backing track. Most of the effect blocks are taken up to support gain staging allowing a single amp to have a range of distortion tones and voicings. But since the amps and cabinets are all different, the overlap is more in how the patch could be used rather than the actual tone. This overlap is actually useful because it allows each amp or patch to be able to be used for a wide range of tones using just a couple of foot switches. I did some experimenting with a spectrum analyzer (my iPad) and found the Tube Comp was the only compressor that didnt have high-end rolloff. Tube Drive is pretty transparent with Bass: 75, Mid 50, Treble 75. Use the tone controls for preamp voicing control, roll of a little bass to reduce the mud, and roll of a little treble to manage any remaining fizzice pick. I use the Vintage Pre essentially as another tube stage in the amp. ![]() Again, the Vintage Pre doesnt do any other strange things to the tone and its simple, has its own drive control to add a little of its own color. As the distortion increases, the voicing has to change, usually additional high and low cuts. Turning the tone control down about half way when using the bridge pickup can help take the edge off the tone and warm it up. Also, setup your tones using the neck pickup on your guitar, not the bridge pickup. This will provide the best compromise for overall guitar tone when you switch pickups, controlling the mud by setting the bass for the neck pickup and controlling the ice-pick using the bridge pickup tone control. This ensures any mono effects in the Pre path (between the input and the path Apath B split) will have unity gain. Use the mixer gain controls to adjust the balance between path A and B when using two paths. This keeps the tone warmer, more natural, less fatiguing and puts the control back into the voicings at the front of the amp. This will be used to tweak the tone for different volume levels. Quieter settings might require some additional bass and treble.
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